It's the title scene when Peter Quill, now an adult, arrives on Morag to find the Infinity Stone. Home cinema sound isn't always about those blockbuster moments – and the second sequence of Guardians of the Galaxy is case in point. View Spider-man: Homecoming on Amazon Star Wars: The Force Awakens (2016) - chapter 7 The music drops away and we really need to hear true empty silences between those incredible, singular effects. That said, this is a moment for revealing your system's talents for dynamics and detail too. There is some wonderfully unearthly groaning and buckling of the hull when the ferry splits in two – which needs to be communicated by your system with terrifying weight to give that genuine sense of scale. The final act is possibly the most telling, certainly for your sub. It begins with some pretty standard busy action - gun shots from left, right, up and down smart dialogue a jaunty soundtrack - and then quickly moves to a full-on swinging and flying fest from the two lead characters. This mid-movie, first-time showdown between Spider-man and the Vulture is an excellent work-out for a home cinema set-up. Marvel means nothing if not great action, and the web-slinger is an awesome character to test big swushing surround effects.
#5.1 surround tamil movies driver#
View Taxi Driver on Amazon Spider-man: Homecoming (2017) - ferry scene His controller gets the sense that there's something not quite right with Bickle and so should the audience. He's a bit of a mumbler but his words should still be nice and clear and it should be impossible for him to hide his troubled nature behind them. Then it's a great test for your centre speaker as Bickle answers questions at his taxi driver job interview. It needs to lull you into relaxation before smacking you round the face with discord in a reminder of the Travis Bickle that's yet to come. You're looking for your speakers to melt into the background and produce an all round, open sound that you can almost bathe in.
It's a drive-by of night-time New York City set to Bernard Herrmann's incredible score which slips from languid to dangerous in an instant. View Baby Driver on Amazon Taxi Driver (1976) - chapter 1įrom a Baby Driver to a Taxi one - there's not much in the way of whizz-bangs in this Scorcese classic to test out the effects chops of your home cinema system but, for music and for dialogue, it's a winner.Įxpression and dynamism are the watchwords for your front and rear pairs from the minute that the title sequences of this film begin. Re-calibrating the levels on your AVR might help but there could be more fundamental issues. Ideally, it moves across the space so subtly and seamlessly that you forget about your system altogether - not an easy thing to do when you're testing, we grant you. The tyres should screech across the soundscape as the car slides about and it mustn't be so clumsy as to sound like the effect is simply chucked from speaker to speaker. When the getaway begins, though, it's about how your surround speakers integrate with the fronts. If you don't want to hear it again by the end of the scene, then your set-up is doing something wrong. It's a song with serious attack and it needs to come across with - no pun intended - real drive. The whole scene is set to Bellbottoms by the John Spencer Blues Explosion. While it begins with a ringing sound that should come from everywhere and nowhere at the same time, this sequence gets going as a test for your stereo pair. The opening scene from Edgar Wright's Baby Driver won't do much for your centre channel but your front and rear pairs are going to love it. View Kraftwerk: 3-D: The Catalogue on Amazon Baby Driver (2017) - chapter 1
Promising a multi-sensory celebration of melody and technology, it also happens to be one of the more visual performances, with contrasting projections displaying antique cars and driverless cars on empty, sun-kissed motorway vistas. The bottom line: it should sound sublime through your system.Īnd look it, too. And it’s the 14-minute live version of Autobahn – one of the most precise and polished tracks – that you’ll especially want to prick up your ears for. While the absence of crowd noise arguably detracts from the bedrock design of the archetypal gig experience, the 5.1 Dolby Atmos presentation (the Blu-ray also includes a ‘Headphone Surround 3D’ mix) offers an all-encompassing, spatial-dynamic and cohesive blanket of sound that’s as mesmeric as the languid projections behind the techno machine men. We know what you’re thinking: "hand me my debit card right now." In 2017, the electronic pop pioneers released a 3D concert film (in Dolby Atmos, featuring their eight-album-spanning ’70s and ’80s oeuvre) performed during shows between 20.
0 kommentar(er)
